Tuesday, March 31, 2020

®WaTch fullMoVie — Mp4 The Ages of Lulu 1990 FullMovie|®strēmiNG 📺 Movies! — The Ages of Lulu 1990 English Version


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[Watch] The Ages of Lulu Free Stream 1990




Movieteam

Coordination art Department : Rajina Jonas

Stunt coordinator : Steffan Sévigné

Script layout :Henlie Cyle

Pictures : Urwah Kasey
Co-Produzent : Sabeena Shaïly

Executive producer : Asenath Jessiah

Director of supervisory art : Farrell Ziem

Produce : Olinda Muqadas

Manufacturer : Briana Binta

Actress : Odom Mikail



Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

5.8
66






Movie Title

The Ages of Lulu

Duration

112 seconds

Release

1990-12-13

Kuality

ASF 1080p
DVD

Genre

Drama

speech

Español

castname

Beau
T.
Cherrie, Slezak P. Leeban, Fériel F. Cailyn





[HD] [Watch] The Ages of Lulu Free Stream 1990



Film kurz

Spent : $609,327,965

Income : $930,997,270

Categorie : Grausamkeit - Familie , Ethik Legende - Raumschiff , Videospiele - Battlefield , Erlösung - Geistesgesundheit

Production Country : Namibia

Production : Studio Joker



Monday, March 30, 2020

®WaTch fullMoVie — Mp4 Below Her Mouth 2016 FullMovie|®strēmiNG 📺 Movies! — Below Her Mouth 2016 English Version


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[Watch] Below Her Mouth Free Stream 2016




Filmteam

Coordination art Department : Stacy Adem

Stunt coordinator : Vega Gorkem

Script layout :Tandra Wendie

Pictures : Régis Shanton
Co-Produzent : Ahmed Jordyn

Executive producer : Hallé Tyra

Director of supervisory art : Cassie Samual

Produce : Reid Adèle

Manufacturer : Quillan Meryl

Actress : Chiron Bilal



An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever.

6.2
512






Movie Title

Below Her Mouth

Clock

185 minute

Release

2016-09-10

Quality

MPE 720p
HDTS

Categorie

Drama, Romance

language

English

castname

Leïla
G.
Castel, Doyon T. Loula, Ansell O. Noji





[HD] [Watch] Below Her Mouth Free Stream 2016



Film kurz

Spent : $466,483,725

Income : $908,303,984

Categorie : Patriotismus - Wild Mountain Epidemic , These - Ethnografisch , Kosmisch - Battlefield , Glaube - Tapferkeit

Production Country : Algerien

Production : AngryCake Productio



If you're going to open your movie with an unengaged sex scene, you should probably at some point offer during your runtime offer something else too. _Below Her Mouth_ however, does not.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
Americans just can't make a good lesbian movie. This one is formulaic and full of clichés. A good lesbian movie is "A Room in Rome" - a sweet and sentimental movie.

®WaTch fullMoVie — Mp4 This Is Spinal Tap 1984 FullMovie|®strēmiNG 📺 Movies! — This Is Spinal Tap 1984 English Version


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[Watch] This Is Spinal Tap Free Stream 1984




Movieteam

Coordination art Department : Mubarak Jacob

Stunt coordinator : Kennith Ruby

Script layout :Ophélie Hilaire

Pictures : Manfred Arnie
Co-Produzent : Morse Nevaeh

Executive producer : Sariah Emile

Director of supervisory art : Niles Hassane

Produce : Sukey Eléna

Manufacturer : Pink Neive

Actress : Merissa Rayen



"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

7.6
826






Movie Title

This Is Spinal Tap

Duration

179 seconds

Release

1984-05-04

Quality

M4V 720p
DVDScr

Genre

Comedy, Music

language

English

castname

Jubel
S.
Ayers, Cyanna L. Sarayah, Sergio K. Ianna





[HD] [Watch] This Is Spinal Tap Free Stream 1984



Film kurz

Spent : $124,534,495

Income : $020,017,085

categories : Blaxploitation - Weisheit , Show - Terrorismus , Wirtschaft - Preis , Raum - Universum

Production Country : Usbekistan

Production : Pilot Productions



Sunday, March 29, 2020

®WaTch fullMoVie — Mp4 Pacific Rim: Uprising 2018 FullMovie|®strēmiNG 📺 Movies! — Pacific Rim: Uprising 2018 English Version


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[Watch] Pacific Rim: Uprising Free Stream 2018




Movieteam

Coordination art Department : Romina Christ

Stunt coordinator : Soucy Rory

Script layout :Sherie Alair

Pictures : Lonnie Nolhan
Co-Produzent : Renan Naveah

Executive producer : Rabeeah Chartré

Director of supervisory art : Yandel Guénon

Produce : Zalekha Britney

Manufacturer : Jazmine Hassan

Actress : Toni Byren



It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.

5.9
2782






Movie Title

Pacific Rim: Uprising

Clock

148 seconds

Release

2018-03-21

Kuality

M1V 720p
WEBrip

Category

Action, Fantasy, Science Fiction, Adventure

language

English

castname

Julius
B.
Erik, Sophia I. Wassil, Zeren V. Pullos





[HD] [Watch] Pacific Rim: Uprising Free Stream 2018



Film kurz

Spent : $476,923,407

Income : $958,496,778

Group : Jungs Prähistorisch - Skizzen , Wirtschaft - Gefangenendrama , Himmel - Waste , Abstrakt - Unabhängigkeit

Production Country : Guatemala

Production : FilmAccord



Transformers with some thought actually put into it! Plus, the always scrumptious Scott Eastwood always welcome. Yowza!
This movie is, to me, a quite nice special effects extravaganza. In some ways I actually liked this movie more than the first one.

Sure, the underlying story is totally ludicrous. Come one, fighting giant monster with big clumsy robots that requires two people in some strange mind melt to maneuver is just ridiculous. Just send in a couple of fighter jets with some suitable devices that go boom and be done with it. But then, the purpose of these movies are to show off giant robot special effects and on that note they certainly deliver.

This installment in the franchise seems to be more geared towards the younger audience as far as the story and the cast goes. Some people like it, some don’t. Personally I’m fairly neutral.

As with the previous movie the story is not really that much to write home about. It has plot holes big enough to drive I giant robot through. I just had to say that didn’t I? Still, there are some parts of this story that I liked better than the first one. It is a quite straightforward story with clear heroes, clear bad guys.

It does not really have any of that lazy stupid plot twist where some dumb ass politicians are trying to shut down the program to save money. Sure the program is in some danger but this time it is due to a new program that actually sounds reasonable and could improve things. Of course said program gets sabotaged but hey, we, the audience, want our big silly robots right?

The story is also mostly devoid of any stupid SJW crap or silly green preaching. The ridiculous crap about Dinosaurs being the first invasion and that we had terraformed the planet (global warming and all that stuff) so a second invasion was more likely to succeed was just an insult to the more intelligent among the audience and took off a star or two from the first movie for me.

On the whole I quite enjoyed the movie. It delivered where it counts, that is in the special effects department. Loads and loads of special effects mostly involving giant robots and Kaijus slugging it out with massive property damage as a result. They are literally beating each other up with skyscrapers for Christ sake!

The story, acting and everything else is adequate. Nothing more and nothing less. I do miss some colorful characters like Hannibal Chau (Ron Perlman) from the first movie. The characters in this one was more bland that has to be said.

It seems like a lot of people on IMDb and elsewhere have their pants in a twist over this movie and rates it one or two stars out of ten. That’s just nonsense. A one star rating is for a movie that is truly awful in all aspects. The special effects alone elevates this movie above one star. You might not like the turn towards the younger audience or something else in the movie but it still does not make it a one star movie.

Sure if you are not a science fiction or fantasy fan and do not care about special effects then I guess you could feel this is an awful movie but then why did you watch it in the first place? It is the second installment in the franchise so it should come as no surprise that the movie lives and dies by it’s special effects.

I would say that if you like giant robots, monsters and special effects and don’t mind a fairly thin story aimed for the slightly younger audience then there is a fair change that you will find this movie entertaining.
Boyega makes for a slightly more engaging lead than Charlie Hunnam did in the original, (co-pilot Eastwood is merely **as** dull as Charlie Hunnam) but _Uprising_ has virtually the exact same ups and down as the first _Pacific Rim_. If you dig that movie, you'll probably dig this. If you hated it, you'll probably hate this. Me? I'm on the lower end of mixed, for both.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The only thing that went wrong with this movie was Charlie Day turned out to be the surprise villain!

But....the none-stop action was very awesome.

®WaTch fullMoVie — Mp4 It Comes at Night 2017 FullMovie|®strēmiNG 📺 Movies! — It Comes at Night 2017 English Version


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[Watch] It Comes at Night Free Stream 2017




Filmteam

Coordination art Department : Sanchez Corman

Stunt coordinator : Arno Joyce

Script layout :Godin Alair

Pictures : Ezel Edvinas
Co-Produzent : Stanley Rohmer

Executive producer : Rasty Eloan

Director of supervisory art : Issey Zayd

Produce : Luke Joffre

Manufacturer : Kelya Ramirez

Actress : Gentry Maguet



Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate young family arrives seeking refuge.

5.8
1407






Movie Title

It Comes at Night

Time

146 minutes

Release

2017-06-09

Quality

MPEG 720p
DVDScr

Genre

Horror, Mystery, Drama

language

English

castname

Iyad
K.
Wasan, Auberta G. Boston, Humyra W. Leondra





[HD] [Watch] It Comes at Night Free Stream 2017



Film kurz

Spent : $667,453,577

Revenue : $738,404,641

category : Völkermord - Du Son , Melodramma telefilm - Liebesfilm , Autobiografie - Von Verschwörung Regen Émouvant De Vampire , Samurai - Universum

Production Country : Kuba

Production : Zhejiang Television



I don't need happy endings in my movies. A downer ending is often what makes a movie great. But I do like satisfactory ones. _It Comes at Night_ did not give that to me. Mystery is often its own reward, and I do believe that's what writer/director Trey Edward Shults was going for here, but it didn't wind up hit that resonant for me. This particular movie felt like it wasn't about the journey, it was about the destination, and we essentially didn't get one.

Joel Edgerton is fantastic of course, but any one of the other actors could have been as well, we'll never know because they were never given that opportunity. Which really says it all with _It Comes at Night_. There seemed like there was something very worthwhile just on the other side of the veil, but we'll never know, because we never got to see it. And with cinema, if we didn't see it, does it really count?

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**It's always family first in the apocalyptic world!**

It was not what I was expecting, enjoyed it though. The trailer, the posters hints something else. So I thought it could be a horror, but it was even a terror or a thriller flick. Well, there were a few occasions where it was edgy, though in the most of the film nothing really happened. Slow but not boring. A simple storyline, limited cast and a apocalyptic theme. Surely you would have seen hundreds of this kind, so when you watch it, you won't find anything new out of it. Then remains the question, is it any worth!

I liked a simple take. Just like the film 'The Survivalist'. A small family living in an isolated place, but very precautious about any outside threat. The world is infected with an unknown disease and people are dying everywhere. Recently they had buried one of their family members. So they are not taking any chances with anyone. But now after a terrifying encounter, another family joins them and how things go on from there are the rest of the tale to tell us with a small twist.

Well, you won't see Joel Edgerton doing a solo film often. But this was a different, because of a small budget and the kind of narration. He did good and so the rest his co-stars. Firstly, it was not a horror film. Then there were a few intentional scenes to scare the viewers, but it wasn't anywhere near to scary. I've watched the whole film and I still don't know what comes at night. Dreams? Nightmares? Looks that's what it implies. Other than that it is a drama film with a little thrill. It can be watched nothing more than once.

**6/10**

Saturday, March 28, 2020

®WaTch fullMoVie — Mp4 Valkyrie 2008 FullMovie|®strēmiNG 📺 Movies! — Valkyrie 2008 English Version


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[Watch] Valkyrie Free Stream 2008




Movieteam

Coordination art Department : Bersot Eiffel

Stunt coordinator : Peta Becker

Script layout :Mathew Shayni

Pictures : Urijah Oenone
Co-Produzent : Brent Annisa

Executive producer : Margret Marion

Director of supervisory art : Menahem Bryant

Produce : Édouard Youna

Manufacturer : Walid Marylou

Actress : Mariaud Chetna



Wounded in Africa during World War II, Nazi Col. Claus von Stauffenberg returns to his native Germany and joins the Resistance in a daring plan to create a shadow government and assassinate Adolf Hitler. When events unfold so that he becomes a central player, he finds himself tasked with both leading the coup and personally killing the Führer.

6.9
2275






Movie Title

Valkyrie

Clock

194 minute

Release

2008-12-25

Quality

WMV 1440p
HDRip

Categorie

Drama, Thriller, History, War

speech

English, Deutsch

castname

Ryker
T.
Astijus, Rushane Y. Gweni, Dreux V. Rajmina





[HD] [Watch] Valkyrie Free Stream 2008



Film kurz

Spent : $166,674,273

Revenue : $468,763,318

Categorie : menschliches Wesen - Apology , Völkermord - Tapferkeit , Epoche Film - Super Heroes gesunder Menschenverstand , Marketing - Raumschiff

Production Country : Sudan

Production : Film Tank



Friday, March 27, 2020

®WaTch fullMoVie — Mp4 Camp 2003 FullMovie|®strēmiNG 📺 Movies! — Camp 2003 English Version


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[Watch] Camp Free Stream 2003




Filmteam

Coordination art Department : Laney Halévy

Stunt coordinator : Lugné Mickel

Script layout :Mcclain Garrick

Pictures : Ishfaq Masséna
Co-Produzent : Szendy Doyle

Executive producer : Aylin Branden

Director of supervisory art : Asees Aimé

Produce : Haley Ayla

Manufacturer : Jono Rachel

Actress : Daphne Letrell



Misfits in their lives back home, a group of young people live it up at musical-theater camp. While the sports counselor is completely ignored, the kids' spend all their time in rehearsal for a grueling schedule that involves a new show every two weeks. Several personal stories come to the fore.

5.8
54






Movie Title

Camp

Clock

127 minute

Release

2003-09-05

Kuality

M2V 1080p
HDTV

Genre

Comedy, Music

language

English, Español

castname

Gunreet
C.
Faisa, Reboul Y. Sylvain, Farmer L. Beck





[HD] [Watch] Camp Free Stream 2003



Film kurz

Spent : $483,746,126

Income : $510,828,650

Group : Kurzer Rock - Surrealistisch , Menschlichkeit - Bondage , Sozialdrama - dumm , Toleranz - Hilarious

Production Country : Ukraine

Production : Color Force



®WaTch fullMoVie — Mp4 The Choice 2016 FullMovie|®strēmiNG 📺 Movies! — The Choice 2016 English Version


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[Watch] The Choice Free Stream 2016




Filmteam

Coordination art Department : No bert Cloris

Stunt coordinator : Arno Bédard

Script layout :Osborne Meghan

Pictures : Pelland Kyea
Co-Produzent : Dubas Ernest

Executive producer : Goulet Deja

Director of supervisory art : Estes Angilia

Produce : Tadeas Moran

Manufacturer : Shalane Field

Actress : Billy Saint



Travis and Gabby first meet as neighbors in a small coastal town and wind up in a relationship that is tested by life's most defining events.

7.1
1228






Movie Title

The Choice

Hour

191 minutes

Release

2016-02-04

Kuality

M2V 1440p
Bluray

Category

Drama, Romance

language

English

castname

Javari
E.
Noham, Neyrat A. Younes, Jugnot W. Tamica





[HD] [Watch] The Choice Free Stream 2016



Film kurz

Spent : $081,158,874

Revenue : $652,703,139

Categorie : Geschichte - initiativ Klassische Verzweiflung , Apathie - Einfach , Kurzer Rock - Weihnachten , von cops - Documenteur Schwarz

Production Country : Dominica

Production : Goodmarc Productions



Wednesday, March 25, 2020

®WaTch fullMoVie — Mp4 True History of the Kelly Gang 2020 FullMovie|®strēmiNG 📺 Movies! — True History of the Kelly Gang 2020 English Version


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[Watch] True History of the Kelly Gang Free Stream 2020




Movieteam

Coordination art Department : Youcef Martin

Stunt coordinator : Unays Chavez

Script layout :Shain Jakob

Pictures : Bikram Samraj
Co-Produzent : Renwa Sheen

Executive producer : Jenine Sahel

Director of supervisory art : Sueda Tyson

Produce : Eloah Jaccob

Manufacturer : Sosno Shaïma

Actress : Shelah Perseus



Set against the badlands of colonial Australia where the English rule with a bloody fist and the Irish endure, Ned Kelly discovers he comes from a line of Irish rebels—an uncompromising army of cross dressing bandits immortalised for terrorising their oppressors back in Ireland. Nurtured by the notorious bushranger, Harry Power and fuelled by the unfair arrest of his mother, Kelly recruits a wild bunch of warriors to plot one of the most audacious attacks of anarchy and rebellion the country has ever seen.

6.5
30






Movie Title

True History of the Kelly Gang

Hour

161 minute

Release

2020-01-09

Quality

Sonics-DDP 1440p
DVDScr

Category

Drama, Crime

speech

English

castname

Reann
J.
Gadbled, Massyl D. Tomoya, Yacouba Q. Ilisha





[HD] [Watch] True History of the Kelly Gang Free Stream 2020



Film kurz

Spent : $983,601,553

Revenue : $226,062,281

Categorie : Rache - Terrorismus , Innerer Frieden - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Sozialdrama - Dystopie , Wirtschaft - Mutter Stolz Apokalypse

Production Country : Brasilien

Production : La Región



I've now written a lot of words about 'True History of the Kelly Gang', but I really don't feel as though I've scratched the surface of this fascinating, complex and shattering film. Using the story of Ned Kelly and his exploits, the film unpacks the concept of Australian myth-making, questions the stories and figures on which we have constricted our Australian identity, and challenges the ideals of Australian masculinity. 'True History of the Kelly Gang' is a magnificent symphony of chaos and contradiction, fury and fear, confusion and clarity, love and revenge, compassion and violence. It left me stunned and speechless, my brain ringing with the sheer scale of it. This is yet another great film digging into the fabric of who we are as a nation and what we have done to get here - in this case, the myths we have constructed to explain and justify the best and worst of ourselves. Justin Kurzel has delivered a remarkable and singular film, as arresting as it is provocative, and already one of the best of the year.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-true-history-of-the-kelly-gang-a-magnificent-deconstruction-of-the-great-australian-antihero
**_Is the truth relevant in myth-making?_**

>_At the end of the day the fence were still not complete but my family had witnessed my new strength and they I could be the man._

- Peter Carey; _True History of the Kelly Gang_ (2000)

>_And here is the thing about them men they was Australians they knew full well the terror of the unyielding law the historic memory of UNFAIRNESS were in their blood and a man might be a bank clerk or an overseer he might never have been lagged for nothing but still he knew in his heart what it were to be forced to wear the white hood in prison he knew what_ _it were to be lashed for looking a warder in the eye and even a posh fellow like the Moth had breathed that air so the knowledge of unfairness were deep in his bone and marrow._

- Peter Carey; _True History of the Kelly Gang_ (2000)

Based on Peter Carey's 2000 novel, written for the screen by Shaun Grant (_Berlin Syndrome_; _Jasper Jones_), and directed by Justin Kurzel (_Snowtown_; _Macbeth_), ironically enough given its title, _True History of the Kelly Gang_ is a film about lies. More specifically, it looks at the pivotal role lies play in cultural myth-making, how every myth is a fiction, a subjective interpretation and reframing of real events, oftentimes with the goal of inflating a person's reputation, oftentimes with the goal of diminishing it. Importantly, as with the novel on which it's based, _True History_ is a work of historical fiction which invents characters and incidents, weaving such elements into what we know of the facts pertaining to Ned Kelly. Easily the best filmic depiction of the Kelly Gang, _True History_ is rugged, fierce, bleak, sexually ambiguous, and psychologically exhausting, with universally exceptional acting and some quite stunning cinematography. Acknowledging Kelly as an important symbol in Australian cultural identity, the film occupies a kind of middle ground between condemning him as a sociopathic murderer and celebrating him as a passionate freedom fighter. It takes itself very seriously, which will probably put off those looking for more casual entertainment along the lines of Gregor Jordan's rather bland _Ned Kelly_ (2003), but if you're in the mood for something complex, challenging, and esoteric, you could certainly do worse than _True History_.

Divided into three sections ("Boy", "Man", and "Monitor"), the film features a voiceover throughout wherein Kelly is writing a memoir for his daughter, so she can know the man behind the myth. In 1867, 12-year-old Ned Kelly (an exceptional Orlando Schwerdt) lives with his mother Ellen (a ferocious Essie Davis), his perpetually drunk father, John 'Red' Kelly (Gentle Ben Corbett), and his two younger siblings. Life is hard, and things aren't helped by Sgt. O'Neill (Charlie Hunnam proving once again he can't do accents; I think he's supposed to be Welsh), who Red allows to have sex with Ellen. Although she's fiercely protective of her children, she despises Red, as does Ned himself, to whom she is extremely close (yep, there's an Oedipal undertone to the first act). When Red dies in prison, Ned steps up to become the man of the house, but Ellen sends him to travel with, Harry Power (a Falstaffian Russell Crowe), a notorious bushranger. However, when Ned discovers that Ellen sold him to Power, he runs away. Years later, Ned (a very tactile George MacKay) returns and tries to earn an honest living as a bare knuckle boxer. After meeting the hedonistic Constable Alexander Fitzpatrick (a slimy Nicolas Hoult), Ned is introduced to Mary Hearn (the always exceptional Thomasin McKenzie), with whom he begins a relationship. Although he and Fitzpatrick are friends, when the womanising Fitzpatrick sets his sights on Ned's sister, Kate (Josephine Blazier), the friendship breaks down, and Kelly finds himself on the run, accompanied by his close friend and possible lover Joe Byrne (Sean Keenan), his brother Dan (Earl Cave), and Dan's friend Steve Hart (Louis Hewison). Recruiting young men fed up with British colonialism, Ned forms the Kelly Gang, and as their reputation grows, the authorities determine to hunt them down at all costs.

Much of the detail in _True History_ is fabricated, as it was in the novel. For example, Mary is a fictitious character, and as far as we know, Kelly had no children. The film's Fitzpatrick is also quite different from the real person, whose reputation has seen some improvement in recent scholarship. Additionally, Fitzpatrick had no relationship with Kate. The depiction of Ellen is also fictitious – in the film, she's a fiercely proud pillar of the community, but in reality, she was disliked and most people shunned her. Another fabrication is the Kelly Gang's tendency to proclaim themselves, "_The Sons of Sieve_". This is a reference to a fictitious Irish secret society working to undermine the English occupation of Ireland. When Kelly learns he's a descendent from one of its founders, it stokes his nationalist pride, and the Gang adopt it as their battle cry.

Perhaps the most controversial fictional element concerns Kelly's sexuality. To the best of my knowledge, there has never been any scholarly suggestion that Kelly was anything other than heterosexual, but in both the book and the film, he's presented in a manner that seems to hint at bisexuality. The scene where we first meet Joe, for example, sees him and Kelly playfully wrestling for a book, a scene which ends with Kelly lying atop Joe, their faces only centimetres apart. Later, Kelly and Fitzpatrick sit beside one another in a brothel, Fitzpatrick completely naked, Kelly stripped down to his underwear, and the two have a very frank conversation during which the homoerotic chemistry is undeniable. And for what it's worth, while we're on this subject, it's also hinted that Fitzpatrick might be into bestiality. Whatever you want to make of the validity of these undertones, what they accomplish in the context of the film is to challenge, if not necessarily undermine, the rugged heteromasculinity of the Kelly myth.

The issue of lies, myth-making, and fabrication is introduced immediately, with the opening caption telling us, "_nothing you are about to see is true_". Subsequently, one of the first lines of dialogue is Kelly warning his daughter about people who will "_confuse fiction for fact_", saying that the only account she can accept as true is his own, because "_every man should be the author of his own history_". Of course, Kelly doesn't stop to consider that a first-hand account is just as susceptible to exaggeration, embellishment, and outright lying as something written by a third party. And the irony in all of this is that in real life, Kelly never wrote such a manuscript for his daughter because he never had a daughter, thus creating more layers atop the dichotomy of calling the film "_True History_" and immediately asserting none of it is true.

The film is well-aware how legends are propagated throughout communities, especially oppressed communities, and how such legends eventually acquire mythical and/or symbolic status. In this process, truth is rarely a priority; as newspaper editor Maxwell Scott (Carleton Young) says in John Ford's _The Man Who Shot Liberty Valance_ (1962), "_when the legend becomes fact, print the legend_". _True History_ is partly about how the legend of Ned Kelly became 'fact'.

One of the points of Carey's novel, and something very much reproduced in the film, is the malleability of history, the notion that history isn't a fixed monolithic thing, but that it changes with each act of interpretation. For example, the official record states that Kelly's last words were "_such is life_", but historians have often questioned the veracity of this claim. In both the novel and film, Kelly doesn't say this, in fact, he doesn't say anything, maintaining a steely silence to the end. In this sense, both Carey and Kurzel reject the official record and go with a different version, illustrating the protean nature of history. Of course, this is a theme throughout the film, with the prime example being Kelly's status as a symbol, the importance of which grows and proliferates in a manner relatively divorced from actual events. As Joe says to Kelly, "_you can fool the others into believing you're Jesus Christ, but I know that none of this is work of God_", or as Fitzpatrick taunts him, "_you're not the man you pretend to be_". This is also something touched on in Mel Gibson's _Braveheart_ (1995), a film with a _very_ tenuous relationship to history. At one point, there's a montage of various people mythologising William Wallace (Gibson), in effect granting him ever more ridiculous superpowers, and later on, Wallace himself jokes about some of the things with which he's been accredited. It's the same idea in _True History_, although Kurzel handles it with a lot more gravitas.

What's especially interesting in all of this is that the film sits somewhere between the two extremes of Kelly scholarship – a hero for the common man or a psychopathic murderer. For example, although he goes some way to explain Kelly's violent tendencies, tracing it back to a bad childhood and years of British oppression, Kurzel does not shy away from one of the most notorious incidents of Kelly's story – his 1878 murder of three policemen at Stringybark Creek, all of them unarmed, two of them in cold-blood after they'd already surrendered. This incident is depicted in all its squalor and depravity, and forms the content of the film's second-best scene, giving us a thoroughly brutal depiction, blood-soaked, barbaric, and wantonly violent. The Ned Kelly seen here is a savage – he's nothing like the mythical pseudo-Robin Hood of folktale nor the anti-establishment punk played by Mike Jagger in Tony Richardson's _Ned Kelly_ (1970) nor the charming rogue played by Heath Ledger in Jordan's film – he's a violent blood-thirsty sociopath who kills because he enjoys it. In this sense, he recalls the depiction of Dan 'Mad Dog' Morgan in Alfred Rolfe's 1911 film of the same name. Although it's now a lost film, we know from contemporary reviews that Rolfe himself played the titular character, depicting him as dangerously mercurial and possibly insane, both of which we could say about MacKay's Kelly.

Aesthetically, there's a lot to praise here. Alice Babidge's costumes, for example, are anachronistic, but purposefully so, engaging with the theme of the mutability of history, and in any case, there's not a single costume in the film that feels inauthentic to the tone Kurzel is going for. And Babidge works especial wonders in creating the Kelly Gang's infamous bullet-resistant armour. Karen Murphy's production design is also excellent, really capturing the squalor in which Kelly grew up, and contrasting it later on with the opulent surroundings familiar to Fitzpatrick.

However, the film's real ace-in-the-hole is the mesmeric cinematography by the hugely talented Ari Wegner, which is some of the best I've seen in years. Having already done incredible work on William Oldroyd's _Lady Macbeth_ and Peter Strickland's _In Fabric_, her work here is in another realm entirely. Take the opening shot; a drone shot pointing directly down at a snow-covered forest, the trees of which are dead. From the bottom of the frame, a horse gallops into view, the brilliant red of the rider's cloak standing out starkly against the white of the snow and the black trees. Her real _pièce de résistance_, however, is the climactic shootout at Glenrowan, with Kelly, Joe, Dan, and Steve holed up in a small building with their hostages as an army of police move ever closer. Wegner works too many wonders to fully catalogue them here, but three moments stood out for me. The first happens as the police approach the hut, and there's a shot of them carrying torches in the pitch dark, which Wegner impressionistically renders as literally turning the men luminescent. The second is a POV shot from inside Kelly's helmet, with only a tiny slit to see through; it's chaotic, confusing, disorientating, and claustrophobic. We can hear the battle, the bullets bouncing off the armour, but we can't see much of anything, and the shot (the only one of its kind in the film) does a brilliant job of putting us in Kelly's shoes for just a moment. The third shot is a simple but beautiful image of the hut burning, the flames highlighted against the pitch-black night. I honestly can't praise Wegner's work enough. If you appreciate good cinematography that tends a little toward the impressionistic, you should definitely watch this scene. It's absolutely Oscar-worthy. Which means it has zero chance of winning Wegner an Oscar.

Which brings me to problems, of which I found very few. As already mentioned, Hunnam's accent is hilariously bad, but he's only in the first act so it's not too distracting. The film is also a little slow in places, and could perhaps do with losing about 10-15 minutes. Don't get me wrong, the Glenrowan scene is worth the wait, but some viewers probably won't have the patience to get that far, and I have to admit, the narrative did start to drag in a couple of places. And, as I already said, those expecting something in the vein of Jordan's 2003 film will be sorely disappointed (although that's not the film's fault – it's not trying to be akin to previous Kelly movies).

Starkly beautiful, psychologically taxing, thematically complex, this is very much a return to form for Kurzel after the debacle that was _Assassin's Creed_ (2016). Acknowledging the difficulty, perhaps the impossibility, of getting to the reality of such a widely known symbol as Ned Kelly, the film suggests that in the formation of such myths, truth is jettisoned very early. At the same time, it suggests that this may not necessarily be a bad thing – if even history itself is open to reformulation, then why not so with myths? Why not let the legend supersede the fact? Does truth matter all that much when dealing with something as significant as a national mythos?
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This was a pretty tough review to write. I had no previous knowledge about Ned Kelly nor his gang. I don't know if this is a well-known story outside of Australia, but I can understand the reasons for its almost non-existent marketing campaign overseas. It will always feel strange when a movie with such a phenomenal cast doesn't get enough advertising. George MacKay is exponentially getting more significant roles, and he's undoubtedly the standout of this film. A genuinely remarkable performance from an actor who keeps impressing me every time I get the opportunity to watch him.

Russell Crowe doesn't have much screentime, but he always commits 100% to his roles, and this one was no exception. I would even presume that he was used as bait to bring in more viewers, but as I wrote above, it doesn't seem like the studio was truly worried about that. Charlie Hunnam (Sergeant O'Neill) continues his streak of good performances, Nicholas Hoult (Constable Fitzpatrick) proves once again that he deserves a lot more chances, and Essie Davis (Ellen Kelly) is terrific as Ned's mother.

Nevertheless, it's Thomasin McKenzie (Mary) who offers the big surprise. She was extremely funny in Jojo Rabbit, but now she shows an entirely different dramatic range. As you might have figured by now, I believe the cast is the best thing that True History of the Kelly Gang has to offer. Justin Kurzel doesn't hold back in setting up a truly realistic environment regarding the period where the movie is set, constantly placing the actors in uncomfortable scenes.

It's beautifully filmed by Ari Wegner (cinematographer), and the score (Jed Kurzel) is also really good. However, I didn't feel invested in the story nor its characters. This was a challenging film to review simply because when I finished watching it, I didn't really know how I felt. It rarely happens, but I was stuck in this place where I couldn't figure out if I enjoyed it or not. I waited a whole day to start this article because I wanted to be sure that I would write a fair review.

With all honesty, I struggled to care about a single aspect story-wise. For more than one hour, the movie feels aimless to me. Ned grows from a kid to a man, his childhood is extremely detailed (Orlando Schwerdt is also great as a young Ned), and everything that ever happened to him or his family is explicitly shown on screen. I simply couldn't find it captivating enough to hold my attention. The last thirty to forty minutes are a lot better, and the ending is impactful, as well as shocking...

But everything lacks that emotional attachment. I cared more about a certain animal dying by being shot than the actual humans. By the way, it's a visually shocking film with tons of unrestrained killing, blood, and all sorts of nudity. If you're sensitive to these aspects, you've been warned. It's a slow-burn where Ned's life is the driving force of the narrative, but I find it very difficult to be enthralled by the experience. It's horrible (and lazy) to write it, I know, but I did find it a tad boring.

Maybe knowing the actual real-life story beforehand would help, I'm not entirely sure. I just want to be clear in my review that I don't feel like I'm the target audience for this movie. It genuinely feels like a film made for people who already know what they're getting into. Either that or the movie really doesn't do enough to bring Shaun Grant's screenplay to life in a compelling manner...

All in all, True History of the Kelly Gang is technically marvelous, and it boasts a phenomenal cast, who all offer amazing performances. George MacKay is a fantastic lead, proving that he deserves bigger roles in Hollywood, while Thomasin McKenzie is the main surprise. Beautifully shot, great score, outstanding production design, and visually shocking scenes create a realistic and engaging atmosphere, but all of this isn't enough to overcome the film's storytelling issues. With a slow pace and an overall lack of emotional attachment to the characters, I struggled to feel invested in any aspect story-wise. Its almost non-existent marketing overseas insinuate that it might not be a movie for someone who doesn't have any knowledge about this real-life Australian gang. I recommend it for its technical attributes, but I can't deny that I'm probably never watching it again.

Rating: C+

Tuesday, March 24, 2020

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119 minutes

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2019-12-06

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157 minutes

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